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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Virginia cemetery containing African etchings provides glimpse to slave-trading PDF Print E-mail
Wednesday, 24 March 2004
March 15, 2004

LEXINGTON, Va. -- A historian has found a 19th century cemetery with gravemarkers that have African symbols etched on their surface, a rare link to the nation's slave-trading past.

Rachel Malcolm-Woods, a James Madison University teacher, said the inscriptions, or ideograms, are from the West African Igbo culture and could be the only known examples in the United States. Some graves may hold the remains of Africans brought to America for slavery. Malcolm-Woods is a doctoral student in history and art history at the University of Missouri-Kansas City. With a grant from the Virginia Foundation for the Humanities, she is studying the site outside of Lexington within the George Washington National Forest.

Igbo, with a language and belief in ancestral worship, is most common in Nigeria. The symbols on the headstones here may be Nsibidi, a system of signs also used on textiles, costumes and bodies, Malcolm-Woods said.

The main marking on the gravestones is a rectangular symbol with two circles that Malcolm-Woods thinks signifies a journey. Other inscribed symbols on the slates are a starlike design that she believes means unity and a flower image that may signify two men loving the same woman.

Several stones are blank. Two have words inscribed. One is for an infant who died in the 1890s, and the other names a Mrs. Downey, who was born in 1839 and died in 1897.

The Downey stone is the only key to who is buried here besides land ownership records, Malcolm-Woods says.

A rusty iron pot in the ground at the cemetery may have been for animals and other offerings, she says.

"They're still very unusual and deserve to be preserved because we have nothing else like them," says Mike Trinkley, director of the nonprofit Chicora Foundation in Columbia, S.C. The foundation does archaeological and historical research and preservation of black cemeteries and other sites.

Trinkley, who has seen photos of the tombstones here, is advising Malcolm-Woods about conserving them.

Malcolm-Woods has found 13 headstones and 20 burial impressions here. Some stones are stored at a U.S. Forest Service office.

The site's obscurity could have been intentional. Blacks found inscribing the symbols may have been punished by whites who considered such markings witchcraft, Malcolm-Woods says.

The symbols could have been a way by blacks to defy whites and communicate secretly to observe customs, says Joanne Gabbin, an English teacher at James Madison who is on a committee studying the cemetery.

"There's always been a desire to express yourself in terms others than those of the majority culture," Gabbin says.

The headstones may end up in a museum or as part of a black heritage trail. Such a spotlight would be a big move for the stones that have lain nearly disguised in the forest. Research on the cemetery may help uncover other sites in the country with Igbo symbols, Malcolm-Woods says.

"People have looked at this and not known what it is," she says of the cemetery. "It's waited for somebody to tell its story."

http://www.dailypress.com/news/local/virginia/dp-sou--slavecemetery0315mar15,0,694751.story?coll=dp-headlines-virginia

 
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