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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Hanging is widely used worldwide for execution PDF Print E-mail
Written by DeadGirl   
Monday, 16 August 2004
Indo-Asian News Service
New Delhi, August 13

Hanging, the punishment awarded to Dhananjoy Chatterjee for the rape and murder of a schoolgirl, is the second most widely used method of execution in the world today after shooting.


At least 115 men and five women were hanged in 10 countries during 2002 and at least 99 men and one woman in 2003, according to figures collated by various organisations.

Hanging remains the standard method of execution in many countries besides India, notably Japan, Singapore, Malaysia, South Korea, Pakistan, Bangladesh, several African countries and some West asian countries, including Iran, Syria, Egypt, Jordan, Kuwait and Lebanon.

It is also the lawful method in most Caribbean states and is an option to lethal injection in two US states, Washington and Delaware, which have carried out a total of three hangings since the reintroduction of the death penalty in the US in 1976.

Hanging originated as a method of execution in Persia (now Iran) about 2,500 years ago for male criminals only, while women convicts were strangled "for the sake of decency."

It was the method of choice in many countries as it produced a highly visible deterrent without the blood and gore of beheading.

In early times it was considered ideal because it was the simplest method to carry out, did not give the condemned person a particularly cruel death, by the standards of the day, made a good public spectacle as the prisoner was above the level of the viewers and because the equipment was easy to come by - a tree, a piece of rope and a ladder or cart, being available everywhere.

Later simple gallows replaced the tree and later still trap doors replaced the ladder or cart as a means of getting the person suspended.

Methods such as drowning, bricking up, hurling from heights, crucifixion, breaking on the wheel, stoning and burning were also used in various countries.

Conservative estimates put the number of people hanged worldwide in the last 2,000 years at not less than half a million. From 1800 to 1964, some 5,508 people suffered death by hanging in Britain, while in the US, it is estimated that some 13,000 men and 505 women were hanged from the early 1600s up to 1996.

There are four main forms of hanging -- short or no drop hanging, suspension hanging, standard drop hanging and measures, or long drop hanging. The last one is considered "more humane" than the other three.

Does the convict feel pain?

Those who have witnessed modern hangings say death comes in milliseconds. Autopsy reports also indicate a quick death.

However, according to Harold Hillman, a British physiologist who has studied executions, "the dangling person probably feels cervical pain, and suffers from an acute headache, as a result of the rope closing off the veins of the neck."

http://www.hindustantimes.com/news/181_945846,001301090001.htm


 
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Taphophilia?

taphophilia (taf′ō-fil′ē-ă)

ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"

DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries

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Quote Repository

The Impartial Friend: Death, the only immortal who treats us all alike, whose pity and whose peace and whose refuge are for all -- the soiled and the pure, the rich and the poor, the loved and the unloved.

Mark Twain