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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Editorial: Morgue case was never about art PDF Print E-mail
Sunday, 15 August 2004
Three years after a photographer posed corpses in the Hamilton County morgue for pictures in a book he was making, the story still prompts ripples of revulsion through those who hear it. We are dismayed that photographer Thomas Condon's reaction to the end of the criminal case this week is still that he was just a misunderstood artist. "I was not playing with dead bodies," he said in an interview Tuesday. "What I was after was to bring something that hadn't been done or seen before ... into a context that is positive and revitalizing."

This case was never about art or photography. It was about a gross violation of the privacy of grief. If a member of your family is killed and the body is sent to the coroner for an autopsy, you should not have to wonder if its going to end up as a prop in somebody's art project.

Condon did not act alone in this matter. He didn't break into the morgue. He was given wide access to the facility, first as part of a crew that was asked by Coroner Carl Parrott to put together a training video, and later because people apparently just got used to seeing him around. He didn't have to sneak bodies out of the storage drawers; people in the morgue helped him. Officials in the coroner's office noticed him taking the pictures, but nobody thought it out of place enough to raise an alarm. What he did would never have come to light if an employee at the commercial processing company where he left the film to be developed had not called police.

Condon spent a year in jail after being convicted of multiple charges of abuse of a corpse. Prosecutor Mike Allen dropped one remaining count for which a new trial had been ordered by the Ohio First District Court of Appeals. Pursuing that charge would have been a waste of time and money, as it is unlikely a conviction would have resulted in significant new jail time.

The prosecutor also had gone after Dr. Jonathan Tobias, a deputy coroner who had helped Condon, but all charges against Tobias eventually ended in acquittal or dismissal. And Tobias was not the only member of the coroner's staff who knew Condon was spending time in the morgue with his camera, a fact central to civil suits against the county filed by families of those whose bodies were abused.

The criminal case ended with Condon, but everyone from the photographer, to the attendents and pathologists, to the coroner shares in the shame of this sorry story.

http://www.enquirer.com/editions/2004/08/13/editorial_morgue.html
 
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Taphophilia?

taphophilia (taf′ō-fil′ē-ă)

ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"

DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries

Taphophiles Speak

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Quote Repository

The silence that guards the tomb does not reveal God's secret in the obscurity of the coffin, and the rustling of the branches whose roots suck the body's elements do not tell the mysteries of the grave, by the agonized sighs of my heart announce to the living the drama which love, beauty, and death have performed.

Kahlil Gibran
From Broken Wings , 1910