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Taphophilia (dot) Com...
A repository of morbid curiosities:
Thanatology and Taphophile Issues, Cemetery,
Funeral Industry and Death Related News.
What's New at Arcadia
Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock
Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!
Green-Wood Cemetery By Alexandra Mosca
Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.
Announcements
Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok
An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!
Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.
A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.
Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.
Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!
Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers
For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.
Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman
Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.
West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark
Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.
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Who's Buried in Grant's Tomb? |
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Saturday, 28 April 2007 |
By Francis Marrone
In the 1890s, Morningside Heights took shape as Manhattan's Acropolis, with the beginning of construction of Columbia University, Barnard College, the Cathedral of St. John the Divine, St. Luke's Hospital, and Grant's Tomb. Today is President Grant's 185th birthday. (A special ceremony, co-sponsored by the U.S. Military Academy and the National Park Service, will take place at the tomb at 11:00 a.m.)
After his defeat for the Republican presidential nomination for a third term in 1880, Grant settled in New York City. Investment failures put the former president in financial difficulties, which coincided with the onset of the throat cancer that would soon kill him. To stave off his family's ruin, he wrote his "Personal Memoirs," an unexpected literary masterpiece that also made his family a great deal of money.
Mrs. Grant, who is entombed (not buried) beside her husband at the General Grant National Memorial (as it is officially known) at Riverside Drive and 122nd Street, wanted the tomb to be in New York City. Ten years ago, the memorial was rededicated on its centennial, after a National Park Service refurbishment was prompted by a threat from Grant's descendants to move President's and Mrs. Grant's bodies from New York to Illinois unless something was done to remedy the vandalism, neglect, and graffiti that had made the memorial a civic disgrace.
The memorial was erected between 1891 and 1897. (Grant was interred for 12 years in a temporary tomb in Riverside Park.) The architect John Duncan adapted his design from the ancient tomb of Mausolus at Halicarnassus. The memorial sports two fine colonnades, the wraparound Ionic of the drum up top, and the Greek Doric of the portico with its grand stair. Unfortunately, an elaborate sculptural program was never carried out, and the memorial cries out for further embellishment. The inside is better, with its coffered vaults and dome, exuberantly ornamented pendentives, and lunette murals by Allyn Cox (1896–1982), installed in 1966. Cox was the son of the painter and critic Kenyon Cox and had in the 1950s completed Constantino Brumidi's great frieze in the Capitol rotunda in Washington, D.C. In the 1970s and 1980s, Cox painted additional murals for the Capitol. The three paintings he did for Grant's Tomb include a scene of Robert E. Lee surrendering to Grant at Appomattox Court House.
Ulysses Grant is best memorialized in Washington, D.C., by the improbably elaborate Grant Memorial, designed by Henry Shrady. In New York, the equestrian statue of Grant, by William Partridge, in Grant Square in Crown Heights, is a masterpiece. The tomb may not be up to the artistic standard of those other memorials. But Americans of the 1880s understood Grant's greatness better than we do today: 90,000 citizens contributed funds toward the construction of the tomb, and New Yorkers should be very proud that it is here.
http://www.nysun.com/article/53356
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