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Never More Doubt PDF Print E-mail
Written by DeadGirl   
Saturday, 25 August 2007
Poe Museum Curator Disputes Historian's Claim That He Began Grave Site Ritual of Roses, Cognac

By William Wan

He sneaks into the cemetery every year at night in the dead of winter, the mysterious man in black, to pay his respects at the grave of Edgar Allan Poe. And in his wake, he never fails to leave three roses and a bottle of cognac.

For decades this mystery has drawn thousands to the famed poet's grave in the heart of Baltimore and spawned much speculation. Why the black garb? Why cognac? And just who is this man?

This week, Sam Porpora, a Poe historian, stepped forward with a shocking announcement -- he was the man in black. But instead of solving the mystery, he has only deepened it.

Wizened and white-haired at 92, Porpora still dresses with the impeccable conviction of a former ad man. A resident of a retirement home near Baltimore, he often spends his afternoons telling stories to whomever he can find in the lobby. Sitting with a visitor this week, Porpora held a stack of old photos and news clippings.

"What do you want to know?" he asked, not pausing for an answer. He rattled off story after story -- about his childhood and his efforts to save the dilapidated church and cemetery where Poe was buried in downtown Baltimore. He talked about almost everything except the man in black, the three roses and the cognac.

"Oh, you want to know about that?" he asked. He leaned in and said, "It was me."

Ever since he made his announcement this week, the Edgar Allan Poe House and Museum in Baltimore has been flooded with calls about Porpora's claim.

Museum curator Jeff Jerome, after all, was the one who noticed the roses and cognac and brought the event to light 30 years ago. Ever since, as curator of the Poe House and Museum, he has protected the mysterious legend -- watching but never interfering or letting others interfere with the ritual.

If anyone could confirm Porpora's claim with some authority, it would be Jerome. So as more and more people called, he agonized over what to say.

"It's not Sam," Jerome said finally. "He's like a mentor to me and I love him, but, believe me, it's not him."

Sitting in a creaky chair at the Baltimore house where Poe once lived, Jerome searched for the right words. To criticize Porpora would be akin to attacking his own father, he explained. If it weren't for Porpora, Jerome might not have become a Poe fanatic. And yet, Jerome said, after struggling to find a more delicate way: "There are holes so big in Sam's story, you could drive a Mack truck through them."

The two men met in 1976. Jerome was 24, a photographer for a food industry publication. Porpora, then 61, was the man who had almost single-handedly saved from disregard and decay Westminster Presbyterian Church, where Poe was buried.

Other prominent people buried at the graveyard include Gen. Samuel Smith, who helped organize the defense of Baltimore in the War of 1812, and Col. James McHenry, secretary of war under presidents George Washington and John Adams.

Porpora helped save the church by dressing volunteers in black choir robes and organizing paid tours of the catacombs beneath the church.

"He deserves a medal for what he did for that place," Jerome said. "He kept it in the public eye when no one else was paying much attention to it."

Under Porpora, Jerome became a tour guide. And in his spare time, Jerome began pursuing what turned into a lifelong passion for Poe.

Early on, Jerome came across a decades-old article that mentioned briefly an "anonymous citizen who creeps in annually to place an empty bottle (of excellent label) against the tomb of Poe."

So on a whim in 1977, on Poe's Jan. 19 birthday, Jerome stopped by the author's grave and was astonished to find a bottle and three roses.

The next year, Jerome staked out the cemetery. But after sitting for hours, he rushed to a nearby building to use the bathroom and returned to find roses and cognac sitting against the grave.

Other Poe devotees began accusing Jerome of making up the incident, so he brought others with him in following years. In 1981, peering together from the catacomb windows, they saw someone dressed in a black fedora, white scarf and black coat walking in the darkness. They believed it was a man because of his size, height and gait.

About the same time, Porpora was being forced out of his role as Poe's local guardian. The University of Maryland's law school was acquiring Westminster Church. And the city announced that it was taking over the Poe House. Porpora, who was the church historian and curator of the house, was asked to be neither under the new regimes.

Many say he was let go because of his flair for the dramatic. Porpora had begun embellishing his tours with historically dubious stories. He talked of a mass burial grave at the church from the Revolutionary War that was later debunked and of a

visit to the cemetery by Poe, which some historians doubt had occurred.

"It's one thing to do publicity, but you don't throw out the truth for publicity's sake," said Jeff Savoye, secretary of Baltimore's Poe Society.

So when Porpora announced that he had invented the rose-and-cognac tradition, others in Baltimore's Poe community were unconvinced.

Among the many problems with Porpora's claim, the biggest is his insistence that he began the ritual as a stunt to garner attention for the church in 1967. But church members had talked about the tradition dating back to 1949.

Digging this week through archives at the Maryland Historical Society, Jerome found the article that had led him to discover the cognac and roses. It was dated 1950. And there are other inconsistencies in Porpora's story, which has changed a bit since he first made his claim.

In some versions, he made up the tale for a newspaper story, which appears to have run in 1976. In others, he was the figure in black.

Porpora attributes people's doubts to how popular and speculative the tradition has become since he says he began it. For Jerome, however, there is no doubt: Porpora's claim could not be true. The 1950 article is proof.

When Jerome found the article, he said he felt relieved but also a little sad. He said he feels indebted to his former mentor but also to the man who taught him to love Poe -- the man in black.

A few years ago, the mystery man left a note for Jerome, along with the bottle and roses, that said, "The torch will be passed."

The next year, he said, a noticeably younger man appeared with another note. The man in black had passed away, the note read, but his two sons will continue his tradition.

The last note from the two sons contained something else, personal information, Jerome said, that he just can't talk about.

Jerome insists that he still does not know the identity of the man or those of his successors.

"But if I found out who did it, I wouldn't even tell my wife," he said.

After all, like the man in black did, Jerome loves Poe. And anyone who loves Poe, he explained, understands the importance of mystery.

http://www.washingtonpost.com/wp-dyn/content/article/2007/08/17/AR2007081702145_2.html

 
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Taphophilia?

taphophilia (taf′ō-fil′ē-ă)

ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"

DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries

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