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Welcome
Taphophilia (dot) Com...
A repository of morbid curiosities:
Thanatology and Taphophile Issues, Cemetery,
Funeral Industry and Death Related News.
A Taphophilia Thank You...
Taphophilia (dot) Com would not be possible without the knowledge, experience and talent of DarkestWeb. From its conception and early development, DarkestWeb was faced with many challenges; from inspiring and motivating, to providing guidance and direction. The continued dedication and support has produced results greater than ever expected, and for this, I owe a huge debt of gratitude.
Announcements
Graveyards of Chicago:
The People, History, Art, and Lore of Cook County Cemeteries
By Matt Hucke And Ursula Bielski. Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!
Green-Wood Cemetery Arcadia Publishing announces the release of Alexandra Mosca's historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery and to browse other available titles!
Men of Mortuaries Calendar
To purchase your 2008 calendar, learn more about the KAMMCARES Foundation, or to be featured in the 2009 calendar, please visit Men of Mortuaries.
Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers
For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.
Guardians of the Soul: Angels and Innocents, Mourners and Saints, Indiana's remarkable cemetery sculpture
with photography by John Bower and foreword by Claude Cookman is now
available. Please visit
Studio Indiana for more information.
West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.
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Personalizing Your Final Resting Place |
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Written by DeadGirl
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Friday, 07 November 2003 |
Aude Lagorce, 10.29.03
NEW YORK - Long gone are the days when a funeral meant a wake by an open casket followed by a somber good-bye at a cemetery. For the past decade, unconventional baby boomers have been driving a new trend in the $9 billion industry--extreme personalization.
It used to be that the dearly departed had two choices: burial or cremation. These days, "The scope of products is simply mind-boggling," says David Walkinshaw, a Massachusetts-based funeral director.
Because the U.S. death rate has remained fairly constant at about nine people per 1,000 since 1980, growth in the industry has stagnated, with the number of funerals increasing by only half of a percent per year, according to Johnson Rice analyst William Burns.
He says the industry's high fixed costs have been further compounded by "an outbreak of wellness," mainly due to the absence of a critical flu season since 1999.
To kick-start growth and fatten profits, funeral directors have livened up their products and services to focus on customization. New offerings include a huge range of custom caskets; Internet-based videos of funeral services are even available. For those seeking something more permanent, several companies offer services to transform the ashes of the deceased into jewelry, artwork and even artificial coral reefs.
The Biloxi, Miss.-based Eternally Yours proposes to recycle your ashes into a painting or collage. Cost varies from $350 to $950 depending on the size of the artwork and the quantity of ashes used. LifeGem Memorials, a Chicago-based company, has patented a process allowing it to turn your loved one--or your pet--into a carbon-based artificial diamond for anything from $2,300 to $13,000. And if Grandpa loved the ocean, Decatur, Ga.-based Eternal Reefs will blend his ashes into an artificial coral reef to create "a permanent environmental living legacy," as its Web site says.
For mourners, personalization can be a welcome departure from stuffy, cookie-cutter ceremonies. For the industry, it is a rare example of a major trend shift in a business that hasn't changed much recently.
"Personalization has typically been the industry's response to the unhappiness expressed by customers who put growing pressure on funeral homes to offer something a little more personal," says Joshua Slocum, the executive director of the Funeral Consumers Alliance.
While traditional burial is still preferred, approximately 28% of Americans chose cremation in 2002, and the figure has been climbing steadily, according to the Cremation Association of North America.
The disposal method of the corpse isn't the only thing that's customizable. The Batesville Casket Co., the largest in the United States and owned by Hillenbrand Industries (nyse: HB - news - people ), has hundreds of models available in 12 materials, various degrees of luster and many colors. Also available are upholstered casket interiors outfitted with reminders of the deceased's profession, faith and interests, as well as a "safe drawer" for personal effects.
Walkinshaw, who says "anything is possible," reports that some hard-core sports fans have been buried in caskets emblazoned with their favorite team's logo. Race car fans may have their final resting place fitted out to look like a Ferrari.
But all of that is nothing compared to what is sometimes done in the wake room, where creativity runs free. The Wade Funeral Home in St. Louis, which is owned by Tucson, Ariz.-based Perpetua, a national chain, encourages what they call "themed funerals."
One example: The company staged a funeral called "Big Mama's Kitchen," where the wake room was filled with fake apple pies and buckets of fried chicken. The setup is intended to personalize the service and remind mourners of who the person really was.
"We encourage funerals to be a celebration of the person's life," says Fay Spano, spokesperson for the National Funeral Directors Association.
Ron Hast, publisher of industry trade publications Mortuary Management and the Funeral Monitor, theorizes that baby boomers may be exhibiting a rebel streak. "They're dismissive of routine ceremonial aspects and of the cost of cemetery lots," says Hast, who adds that cremation costs between $1,000 and $1,500 while a traditional burial "package" hovers around $5,500, even without the cemetery lease.
According to Slocum, personalization is transforming the funeral industry the same way Hallmark revolutionized the greeting card business several years ago, introducing cards celebrating remarriages, stepmothers and people from Idaho.
While 75% of America's 22,000 funeral homes are independently owned, there are several large companies that are attempting to consolidate the industry. Alderwoods (nasdaq: AWGI - news - people ), which had sales of $833 million in 2002, owns 760 funeral homes and 185 cemeteries. Stewart Enterprises (nasdaq: STEI - news - people ), which had sales of $581 million in the fiscal year 2002, owns more than 300 funeral homes and 150 cemeteries.
In the end though, you can leave this world sure of one thing: While you debate the respective merits of coming back as a coral reef or as a pear-shaped diamond, the industry is finding new ways of boosting the margins on your last purchase.
http://forbes.com/home/2003/10/29/cx_al_1030funeral.html
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Taphophilia?
taphophilia (taf′ō-fil′ē-ă)
ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"
DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries
Quote Repository
“Show me your cemeteries, and I will tell you what kind of people you have.” Benjamin Franklin1706-1790
Shirtless and Sculpted
The Men of Mortuaries 2008 Calendar is now available! All sale proceeds benefit KAMMCARES, a breast cancer foundation.
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