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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Fair Elanor By William Black PDF Print E-mail
Tuesday, 28 March 2006
The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and lookèd in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.

Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.

Fancy returns, and now she thinks of bones
And grinning skulls, and corruptible death
Wrapp'd in his shroud; and now fancies she hears
Deep sighs, and sees pale sickly ghosts gliding.

At length, no fancy but reality
Distracts her. A rushing sound, and the feet
Of one that fled, approaches--Ellen stood
Like a dumb statue, froze to stone with fear.

The wretch approaches, crying: `The deed is done;
Take this, and send it by whom thou wilt send;
It is my life--send it to Elenor:--
He's dead, and howling after me for blood!

`Take this,' he cried; and thrust into her arms
A wet napkin, wrapp'd about; then rush'd
Past, howling: she receiv'd into her arms
Pale death, and follow'd on the wings of fear.

They pass'd swift thro' the outer gate; the wretch,
Howling, leap'd o'er the wall into the moat,
Stifling in mud. Fair Ellen pass'd the bridge,
And heard a gloomy voice cry `Is it done?'

As the deer wounded, Ellen flew over
The pathless plain; as the arrows that fly
By night, destruction flies, and strikes in darkness.
She fled from fear, till at her house arriv'd.

Her maids await her; on her bed she falls,
That bed of joy, where erst her lord hath press'd:
`Ah, woman's fear!' she cried; `ah, cursèd duke!
Ah, my dear lord! ah, wretched Elenor!

`My lord was like a flower upon the brows
Of lusty May! Ah, life as frail as flower!
O ghastly death! withdraw thy cruel hand,
Seek'st thou that flow'r to deck thy horrid temples?

`My lord was like a star in highest heav'n
Drawn down to earth by spells and wickedness;
My lord was like the opening eyes of day
When western winds creep softly o'er the flowers;

`But he is darken'd; like the summer's noon
Clouded; fall'n like the stately tree, cut down;
The breath of heaven dwelt among his leaves.
O Elenor, weak woman, fill'd with woe!'

Thus having spoke, she raisèd up her head,
And saw the bloody napkin by her side,
Which in her arms she brought; and now, tenfold
More terrifièd, saw it unfold itself.

Her eyes were fix'd; the bloody cloth unfolds,
Disclosing to her sight the murder'd head
Of her dear lord, all ghastly pale, clotted
With gory blood; it groan'd, and thus it spake:

`O Elenor, I am thy husband's head,
Who, sleeping on the stones of yonder tower,
Was 'reft of life by the accursèd duke!
A hirèd villain turn'd my sleep to death!

`O Elenor, beware the cursèd duke;
O give not him thy hand, now I am dead;
He seeks thy love; who, coward, in the night,
Hirèd a villain to bereave my life.'

She sat with dead cold limbs, stiffen'd to stone;
She took the gory head up in her arms;
She kiss'd the pale lips; she had no tears to shed;
She hugg'd it to her breast, and groan'd her last.

 
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