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A repository of morbid curiosities:
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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Syndicate

'Eleanor Rigby' document to be auctioned PDF Print E-mail
Thursday, 27 November 2008

LONDON (AP) - A 1911 payroll sheet bearing the name 'E. Rigby' may fetch $750,000 for a charity that Paul McCartney befriended. Reporting from London -- Eleanor Rigby: fact or fiction? That question, which has bedeviled Beatles' fans for decades, may be answered in part by a 1911 hospital payroll sheet to be auctioned in London today. The document, sent by Paul McCartney in 1990 to the director of a music charity who had asked for funding, contains the signature of a scullery maid named "E. Rigby" who worked in a Liverpool hospital.

The director of the company auctioning the document believes the woman who signed the payroll is the same Eleanor Rigby buried in 1939 in a Liverpool graveyard next to the church where McCartney met the young John Lennon.

"I've spoken to the person who lived in the house where she used to live, and they've confirmed that the signature is the same signature of the person in the graveyard," said Tom Owen of the Fame Bureau auction house, adding that the finding may contradict McCartney's longtime assertion that the song was based on a made-up character.

"It's intriguing that McCartney owned it because he says he created the song around a fictitious figure," said Owen. "And yet, how did he have this document and why did he have it? When he was asked to donate money, he sent this."

Interest is so high it's estimated the document may fetch $750,000.

McCartney has said the song was not based on a real person but concedes he may have been subconsciously influenced by seeing the tombstone.

When the auction was announced earlier this month, he released a statement reiterating that the character was not real. "If someone wants to spend money buying a document to prove that a fictitious character exists, that's fine with me," McCartney said.

The payroll sheet was signed by "E. Rigby" after she collected her pay at Liverpool's City Hospital. McCartney has not revealed how he got the document, or why he sent it to the charity 18 years ago.

According to the tombstone, Eleanor Rigby was born in 1895. If she is the woman who signed the hospital payroll, she would have been about 16 at the time. She worked as a maid washing pots and pans in the hospital kitchen, the document says.

The song "Eleanor Rigby," released in 1966 as a single and on the Beatles' "Revolver" album, represented a sharp break for the band, which until then had largely relied on cheerful tunes for their international hits.

With its haunting refrain, "Ah, look at all the lonely people," it is a devastating portrayal of an isolated woman whose death draws so little notice that no one attends her funeral.

There are no rock 'n' roll guitars or drums on the somber track -- McCartney's lead vocal is backed by violins, violas and cellos arranged by Beatles producer George Martin.

"It's a Beatles song with no Beatles instruments," said Glenn Gass, a rock historian who teaches a course on the Beatles at Indiana University.

"It's just so bleak and so sad: She picks up the rice at someone else's wedding, the whole image of her wearing a face that she keeps in a jar by the door. There are things happening emotionally that you just can't see. It's not a pop song in any traditional sense, but it's one of their great songs."

Lennon and George Harrison sing harmony; Ringo Starr does not play or sing, although Beatles experts say he contributed one line to the lyrics. "Eleanor Rigby" is credited to the Lennon-McCartney writing team, but it is widely regarded as primarily by McCartney.

McCartney has said he considered naming the woman in the song "Daisy Hawkins." He also mulled naming the unsympathetic priest "Father McCartney" but decided on "Father McKenzie" so his own father wouldn't be burdened.

The song has had so much influence that a statue honoring Eleanor Rigby -- be she real or imagined -- has been built in downtown Liverpool. Passers-by often place flowers there.

Owen said "every penny" from the auction will go to Sunbeams Music Trust, a charity that provides music instruction to people with special needs.

It plans to use the proceeds to build a music instruction center in Cumbria, England, where the charity is based.


http://www.latimes.com/entertainment/la-et-beatles27-2008nov27,0,2253625.story

 
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Taphophilia?

taphophilia (taf′ō-fil′ē-ă)

ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"

DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries

Taphophilia Facts

The tombstone of Mel Blanc-the voice of Bugs Bunny and Porky Pig-is inscribed "That's All Folks."
 

Taphophiles Speak

Final Destination After Cremation?
 
Roadside Memorials...
 
What is your favorite type of cemetery?
 
Will you be embalmed?
 
Are you considering a Green Burial?
 

Quote Repository

Lend, lend your wings! I mount! I fly! O grave! where is thy victory? O death! where is thy sting?

Alexander Pope

Grave Epigrams

Looking into the portals of eternity
teaches that the brotherhood of
man is inspired by God's Word,
then all prejudice of race
vanishes away.

George Washington

 

Taphophilia Thanks

Taphophilia (dot) Com would not be possible without the knowledge, experience and talent of DarkestWeb. From
its conception and early development, DarkestWeb
was faced with many challenges; from inspiring and motivating, to providing guidance and direction. The continued dedication and support has produced results greater than ever expected, and for this, I owe a huge debt of gratitude.