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Written by DeadGirl
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Sunday, 29 October 2006 |
Often Misunderstood And Feared, Classic Movie Monsters Actually Have A Lot In Common With Us All
(CBS News) PALM SPRINGS, Calif.
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Ron Chaney's hillside home near Palm Springs doesn't look much like a haunted house, but he always looks forward to getting it ready for Halloween. Chaney is, after all, a descendent of monsters.
His great-grandfather was the Phantom of the Opera and the Hunchback of Notre Dame, silent film star, Lon Chaney. And his grandfather was the Wolf Man, Lon Chaney Jr. So on Halloween, Chaney pulls all the family skeletons out of the closet.
"Well, you're gonna run into some vampires," he told Sunday Morning correspondent John Blackstone. "You're gonna run into some phantoms and wolf men, mummies, Frankenstein's. Chaneys played 'em all, and they're all here for Halloween."
Somehow the old monsters from the days of black and white still have a stranglehold on our imagination. No matter how many attempts have been made to kill them off ... they just keeping coming back. And these undead creatures have bestowed an immortality of sorts on the actors who played them so long ago: Bela Lugosi as Dracula, Boris Karloff as Frankenstein's monster, and Lon Chaney Jr. as the Wolf Man.
"And he was just Gramps to us," Chaney said. "He wasn't the Wolf Man or a movie star."
But Gramps was always the Wolf Man when Halloween rolled around.
"The kids loved to come to his house," Chaney said. "They'd have him howl for 'em, like the Wolf Man howl. And he did it all night long, God bless him."
Having a monster in the family can add a lot to your Halloween memorabilia.
"It's mainly here in the Bathing with Boris bathroom," Sarah Karloff, the daughter of Boris Karloff. "And when we have parties, you'd be amazed at how many people we lose in the bathroom."
Karloff says her father saw it as his good fortune to become famous as a monster.
"He's one of the owners of Halloween," she said. "He always referred to it as his busy season."
But that didn't mean their door was busy with trick-or-treaters.
"At home, it was quieter at our house than at yours because people were afraid to ring the doorbell," she said.
Who wouldn't be afraid of the monster created by Dr. Frankenstein? When the film was made 75 years ago it was widely seen as the scariest movie ever, so scary it began with a warning.
"Nobody anticipated the film to be the success that it was," Karloff said. "My father wasn't even invited to the premiere."
You might say "Frankenstein" was a roaring success, so Universal Studios quickly followed with another monster. Bela Lugosi, a Hungarian immigrant who could barely speak English, took the role of Dracula. He set the pattern for every vampire to follow, says director John Landis.
"To this day Dracula does what Bella Legosi did, and they talk like Dracula," he said. "They talk like him. It's sad in many ways. It kind of ruined his career. And in other ways it's wonderful, because who else has that kind of impact on the culture? It's quite something that Bella Legosi had."
Together Dracula and Frankenstein proved that movie audiences love to be frightened.
"It's very much like you look at parents with their children," Landis said. "What do they do? They immediately go 'Whoops a day!' throw them in the air. 'Look I'm gone.' 'I'm back.' 'I'm gone.' I mean, what's more terrifying to a child? I'm gone. People torment their kids! It's a strange but very human thing."
Landis knows how to frighten. He wrote and directed the 1981 hit "A American Werewolf in London." That movie caught Michael Jackson's attention and he hired Landis to direct his "Thriller" video.
In his horror films Landis got plenty of inspiration from early monster movies. And he is one of the contributors of a new book celebrating Universal Studios' classic monsters.
The very first of those was the Phantom of the Opera. The chilling face was Lon Chaney's own creation. He did his own makeup, says great-grandson Ron Chaney.
"He was a perfectionist, and it was very important that when he played that role that it did come across that way, that it did scare people to the fact that he wouldn't let 'em show his face until the movie's screened," he said. "All of the lobby cards, no photographs of his face. He said, 'Why would I allow people to photograph me? It's gonna take all the surprise out of the film when they see it.' And thank God, they did, because it just horrified people."
What has kept these creatures alive, says Landis, is that in them we still see ourselves and our fears.
"I mean, Frankenstein could not be more contemporary," he said. "Victor Frankenstein, who is interested in creating life, reanimates. He builds a cadaver from pieces of dead people, corpses, and reanimates it, brings it to life. It's the story of all science, the atomic bomb. There are some things man is not meant to know, like genetics or DNA. These are God's property. And you don't fool around with God. I mean, the Frankenstein monster could not be more contemporary."
What the werewolf goes through is familiar, in a way, to most of us.
"I mean, puberty, all these weird things are happening to our body," he said. "Hair is suddenly sprouting from our face and other places. All humans go through this metamorphosis."
As terrifying as they may be, these classic movie monsters are also strangely sympathetic.
Lon Chaney Jr.'s character, Larry Talbot, is just a guy who's attacked and bitten by a werewolf, and he gets the disease.
Ron Chaney agrees that his grandfather's Wolf Man was a victim himself.
"They wanted to hate him, but they couldn't, because it was something that was put upon him that he really couldn't help," he said. "And I truly believe that's what made it last for so long and why people still enjoy the films to this day."
Even Frankenstein's terrible creation had a softer sidem one Sara Karloff says was much more like her father.
"My father was very well educated and very well read as an individual. He understood the plight of the monster, that he really was the victim and not the perpetrator," she said. "And he understood abandonment. And he understood the responsibility of Victor Frankenstein for his own creation."
Dracula, on the other hand, is evil, said Landis.
"I mean, he is satanic," he said. "More movies [are] made around the world about Dracula than any other character."
So once again it's the season when these monsters are busy making us all face our fears about life and death, love and rejection. And no matter how it turned out for them in the movies, Lon and Bela and Boris remain more loved than feared.
"They were all wonderful actors," Ron Chaney said. "And you know when you make something that lasts for so long, I think you've done your job and you've done it well."
http://keyetv.com/watercooler/watercooler_story_302143159.html
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Taphophilia?
taphophilia (taf′ō-fil′ē-ă)
ORIGIN:
From the Greek words taphos, meaning "tomb" or "sepulcher" and philia, meaning "attraction or affinity to something, in particular the love or obsession with something"
DEFINITION: 1. An excessive interest in graves and cemeteries. 2. A love or fondness for funerals, graves, and cemeteries. 3. In psychiatry, a morbid attraction to graves and cemeteries
Quote Repository
“Ay, but to die and go we know not where; To lie in cold obstrution and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods or to reside In thrilling regions of thick-ribbed ice; To be impison'd in the viewless winds, And blown with restless violence round about The pendant world.” William Shakespeare -
Shirtless and Sculpted
The Men of Mortuaries 2008 Calendar is now available! All sale proceeds benefit KAMMCARES, a breast cancer foundation.
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