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What's New at Arcadia

Historic Burial Grounds of the New Hampshire Seacoast By Glenn A. Knoblock

Arcadia Publishing has releases a new title in the Images of America series, the historic account of the cemeteries along the New Hampshire Seacoast. This collection is a must for anyone interested in local history, genealogy, or colonial-era art. Please visit Arcadia Publishing to purchase your copy of Historic Burial Grounds of the New Hampshire Seacoast and browse other cemetery books!

Green-Wood Cemetery By Alexandra Mosca

Arcadia Publishing announces the release of the historic account of one of New York's most famous cemeteries. Aracdia Publishing's Images of America series has an extensive catalog of many cemetery publications! Please visit Arcadia Publishing to purchase your copy of Green-Wood Cemetery.

Announcements

Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb By Scott L. Newstok

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts. Visit Palgrave Macmillan and purchase your copy today!

Living by the Dead By Ellen Ashdown with illustrations by Mary Liz Moody.

A memoir about living beside a cemetery--and about the members of my family who came to rest at Roselawn Cemetery in Tallahassee, Florida. Please visit Kitsune Books for more information.

Graveyards of Chicago: The People, History, Art, and Lore of Cook County Cemeteries By Matt Hucke And Ursula Bielski.

Discover a Chicago That Exists Just Beneath the Surface - About Six Feet Under! Take a tour of Chicago's permanent residents! Please visit the Lake Claremont Press website to purchase your copy of Graveyards of Chicago today!

Epitaphs: The Magazine for Cemetery Lovers By Cemetery Lovers

For information regarding subscriptions, single issues, submission guidelines, deadlines, classifieds or advertising for future issues, please visit The Cemetery Club.

Guardians of the Soul: Angels and Innocents, Mourners and Saints with photography by John Bower and foreword by Claude Cookman

Indiana's remarkable cemetery sculpture is now available. Please visit Studio Indiana for more information.

West Springfield Massachusetts: Stories Carved in Stone by Rusty Clark

Features information on early New England gravestone carvers with more than two hundred photos and illustrations. Please visit the Dog Pond Press website.

Why Ancient Greeks are Always Nude PDF Print E-mail
Thursday, 01 February 2007

By Corey Binns

Male nudes are the norm in Greek art, even though historians have stated that ancient Greeks kept their clothes on for the most part. New research suggests that art might have been imitating life more closely than previously thought.

Nudity was a costume used by artists to depict various roles of men, ranging from heroicism and status to defeat.

"In ancient Greek art, there are many different kinds of nudity that can mean many different things," said Jeffrey Hurwit, an historian of ancient art at the University of Oregon. "Sometimes they are contradictory."

Hurwit's newly published research shows that the Greeks did walk around in the buff in some situations. Men strode about free of their togas in the bedroom and at parties called symposia, where they would eat, drink and carouse.

Nudity was also common on the athletic fields and at the Olympic games. (Because there are so many images of Greek athletes, some lay people have assumed the Greeks were in their birthday suits all the time.)

Battling nudity

However, nudity was often risky for the Greeks. "Greek males, it is generally agreed, did not walk around town naked, they did not ride their horses naked, and they certainly did not go into battle naked," Hurwit said. "In most public contexts, clothing was not optional, and in combat nakedness was suicidal." Warriors and heroes are often, but not always, represented in the nude.

Artists demonstrated the physical prowess men used to defeat their enemies. But, as Hurwit said, if you can go into battle naked, you've got to be pretty good. However, heroes weren't the only men disrobed by ancient artists.

Here's looking at you

Hurwit's research, published in the Jan. issue of the American Journal of Archaeology, also found examples of defeated, dying and dead naked men. In these cases, nudity was chosen to represent the subjects' vulnerabilities. Meanwhile, common laborers were also drawn undressed, illustrating their sweat and muscles to show how hard they worked.

Gods and people of higher social class were sometimes—but not always—depicted in the buff to demonstrate their place in society. Hurwit's research of these nuances of Greek art also offers a glimpse into the cultural source of our civilization today.

"We can try to understand ourselves and our conception of what it means to be a hero and to exceed normal expectations," Hurwit told LiveScience. "The more we know about other cultures, the deeper we will be able to understand our own culture and ourselves."

http://www.livescience.com/history/070202_greek_nudity.html

 
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